What’s Your Type?

 

Type I knows where he is going.
His compass always reads true North.
He never fails
to adjust his readings
for the magnetic declination.
Still, he follows the stars, just in case;
to freedom from Nor’Easters, and heat
hotter than hatch chiles,
to where the mode temperature
is 75 degrees. Here, he is like
my father.
He never fails, and thanks God
for blessing him with natural talent.
He harbors conservative values,
which both serves and disserves
me.
He imagines me pregnant
with his second child,
from our second date,
and yet, second guesses
my experience of my body
as property.
He wants to own property
to build equity — for himself
and lead a rich, rewarding life.
He reaps reward from going it
alone; He wants to be alone
together.
He senses my insecure attachment
and takes advantage.
“Together forever,” whispered
between the sheets — my quick release.
Baby, Imma roll
until my wheels fall off.
His fatal flaw —
shameless love

for Eminem.


Type 2 is a perpetual manchild.
He makes dirty jokes,
and I blush.
He puts me the center
of his speculative fiction,
and I blush.
Of his universe, I am
the penultimate center,
after his capital “A”
Art.
He demands to be taken
seriously.
He demands to be Dom’d
by his Good Little Girl.
He makes a bad feminist of me.
He makes a good listener of me,
Reciting “The Raven,” hands
aloft — my perch.
He senses my desire to nest,
And takes advantage.
Nevermore, my Lenore,
will you stand at the shore,
watching the sunset.
You will float
on boughs of willow
that I twist up
with Photoshop.
There is Art in artificiality,
and also bad aftertaste.
I can taste his cigarettes
from the next room. Here, he is like
my father,
and I? — like a fish, I drag
my belly across the shore
on the off-chance
I will find a puddle
reflecting His bright light.


Type 3 speaks Spanish.
He is a global citizen and voluntour.
He says “Colombia changed my life,”
and I do not call bullshit.
He is the type to ride a bull,
to ride into thrashing wind
on his single-speed bicycle.
I saw him buck a tree once,
and never wanted to fuck
someone so badly.
His arms, lean and thin
pinned me to the trunk
of his car, which is the type,
I imagine us hopping into.
His Delorean transports us
back to a future where
simple living is anything
but alien.
He speaks in future tense
and first-person singular.
I can not tell if he is interested
in monogomany.
This scares the shit out of me,
as does leaving my sacred objects
on the edge of Route 66.
He senses that I am possessive,
and takes advantage.
He tucks found wildflowers
behind my ears, and holds
his chin to them, like buttercups.
Everything yellow is yours.
He only wears earth tones.
Still, I wear bright makeup
for myself.
He hates it, yet shows nothing
but respect. Here, he is unlike
my father — unlike anyone
who has loved me
yet.

Afterglow

 

The sun had come down, but not out.
It was the bulb of a projector, casting
cool, blue light from its core; except for
lacking an electrical cord.

Where did the heat come from
that changed the surface of the moon
from swiss cheese to a flat screen,
capable of displaying our vitals?

A reddish tinge across your cheeks
told me the answer — 100 degrees,
and counting down. From the minute
you walked up, imagining the peak.

We were sitting close to each other,
under the pretenses of just wanting
to share a large popcorn and soda.
You hadn’t had sugar in six weeks.

An hour after it happened, I joked:
“The vision of you undoing my laces
may be my undoing. Oh, so delicately,
your fingers untwined the knots.”

Now, several days after it happened,
I have exhausted the limit of images
on the “beauty of tight binding,”
pretending an interest in macramé.

I have laid the first and only move
in single player Cat’s Cradle,
betting on you to pinch my Xs
into the Jacob’s Ladder.

So, what do you say? Let us play —
until the sun comes down,
and afterglow fades; or, at least
until we have run out of shapes.

With luck, perhaps, thereafter.

The Muse

Reading her poetry, it stirred me up,
with eye of newt, wing of bat,
and things like that;
and so I stopped.

When I called, there was no motion;
there was no potion, and yet I fell.

Instead, she slipped a note,
and I read what she wrote:

“Reading your poetry, it stirs me up.
Afterward, I can never remember
what to do with my letters.
I connect vowel to consonant,
and then consonant to vowel,
but what comes out —
is no language I recognize.”

That’s just how it was;
it happened just like that.

She came out —
in a collared dress,
with thimbles on her thumbs,
and flushed cheeks
that seemed
to say:

“I know more of
hugging and kissing
than I will ever care
to admit,”

and taught me —
how to color in my lips,
with pencil crayons,
and keep inside
the lines;

how to be
a sometimes red,
and other times deep magenta
kind of girl;

how to come out,
and say:
“I FELL IN LOVE WITH A WOMAN.”

Enacting our poetry, it stirred us up,
with each forgetting that she
was not the other,
and so we stopped.

Aubade for What Stayed in Reno

Twinkle, twinkle, little star
How I wonder what you are
Up above the world so high
Like a diamond in the sky
Twinkle, twinkle little star
How I wonder what you are

Oh, darling one
I wish I may,
I wish I might
have that wish
we made last night,
on that bright star
neither first nor right
but fixed as it was
to the grid of light
seemed a safer bet
to count on to stay
twinkle-twinkling
than a dumb rock
in the sky, though,
not so dumb as we
who got hitched
to a deadline
not certain, as we
who bet love
on some number
of days before
the Chapel of Bells
goes under.

Oh, bright star,
would I were
steadfast as thou are,
could take your
leave-taking
with no hand
in the jar
not reaching
for crumbs
when there’s cake
right in front of me
full of butterlove
the better love,
the solid, yellow,
stick-to-the-ribs
kind of love;
with no head
under the bell
not stewing
on what you are
hanging aloft, alone
in Reno’s sour air
when there’s someone
who cares, standing
right in front of me.

Oh, sweet heart,
so soon we part
— yet, you are
still steadfast
still unchangeable
still as night
at the break of day
with eggs breaking
with sugar shaking
how can you be hungry
for lovemaking
it’s too early, too new
too much, too fast,
and too soon — yet,
I am still happy,
still over the moon
still laughing along
with the little dog,
at seeing such sport
as the dish carried
off by her spoon.

When the blazing sun is gone
When he nothing shines upon
Then you show your little light
Twinkle, twinkle, all the night
Twinkle, twinkle, little star
How I wonder what you are.

Things My Mother Gave Me (That I Did Not Ask For)

shoulder pads
a cigarette burn on my left shoulder
her middle name

a battle with me at the middle
second helpings of mashed potatoes
too little pride to succeed, too much to ask for help
how to win Monopoly
how to cheat
how to cheat the system
Nintendo 64
an excuse for asking

“Do you love me?
Do you love me?
Do you love me?
Really, are you so sure?”

love
a crush on David Bowie
crushed ice from the refrigerator
Days With Frog and Toad
days spent on the road

One, two, three, four, five / Everybody in the car, so come on let’s ride

one, two, three, four, five…years of silence
someone to mythologize

Mother Medea in a cropped top
grooves humbly as any green girl through
her ruined lot, taking stock
off shelves at the Stop n’ Shop
just for shits and giggles.

lessons in astrology
enough clairvoyance to see beyond the tip of my nose
lessons in cosmetology

“A girl can always use more _______ .”

scrunchies
and bowls of Cap’n Crunch cereal
[Argh!! she’s a pirate, Halloween 1996]
how to change the mask without changing the costume
how to dance the Macarena
Kraft macaroni and cheese
Fifty bucks in government-subsidized dairy
and bottles of Similac
little-to-no tits, but nice nipples
sensitivity to mosquito bites
the last bite of her dessert
Strawberry Shortcake and Cabbage Patch Kids

Pat-a-cake, pat-a-cake, baker’s man / Bake me a cake, as fast as you can
a good man to call Uncle

Pat it, prick it, and mark it with B / Put it in the oven for baby and me

a better man to call Daddy
a promise

“I promise to be better.”
or two
“I promise the zoo.”
or three
“I promise birthday cards.”

a birthday.

One-Track Mind

Thinking about how
sex is different, much more
different, now than it was then;
not materially — the strings still
bray, their ancient tongues still
flick the same — but structurally.

Thinking about how
to imagine being fucked from
behind, without gagging on a
principle: all sex is violence
except the kind that is saved
by a word; Mississippi means
“This doesn’t feel good to me.”

Thinking about how
this doesn’t feel good to me;
the mattress has a zipper that
rubs wrongly, reminding me
of a mouth too familiar that
is dry and uncertainly mine.

Thinking about how
often is not often enough
for someone* to masturbate
when someone is *a female.

Thinking about how
being female is a diagnosis
for dysfunction; how I come
and come and come to accept
that prescription for Prozac
in place of understanding.

Thinking about how
the whole is greater than the sum
of its parts, i.e., ❤ = you + me
or 1 + 1 = 3; how there’s no proof
that when two losers fall in love
they’ve the will to beat anything.

Thinking about how
you beat me once, and again,
not materially — but an injury
does not have to be physical
to get us thinking about how
the body works or does not.

Would you like to throw a stone at me?

There’s a rat-a-tat-tat on the window
that my imagination takes for bird’s
play — swallow — and then I see her
dancing, with her twin in the glass,
damn narcissist, she’s asking for it,
go splat
at my feet. No feathers?
There’s a feet, or two, or
a pair of Converse shoes
faded that familiar blue-
like lavender but not so sweet-
smelling as bodies do when hot
so hot so fucking hot are you
here on some errand? Here, winner
take all that’s left of my peach.
Pat of butter? Cup of sugar?
I have none nor the patience
for solicitation
for polite salutations
or whatever it is that you’re trying
to sell me today.
I want to give more
than what fits through a window,
so, if you will,
please come to the door.

My First Place

lamplightIn the northwest corner
a tent for the sun
diffuses light muted divine
across this uncarpeted territory
that I deign call mine
but rather than bask
in the afterglow
of an energy bill paid
and my utility proven
I shut the lamp again
until it cools
“it” being the bulb
but also the fear
of being outgrown
as toy is by child
of being the child
who outgrows
the clinging
the tantrums
and toilet accidents
the infrastructure
for success
in health and happiness
that I built last season
when legs were shorter
and it made sense
to sit on his shoulders
for a clear view of the stage
beyond the next hill
beyond the walls of our bedroom
beyond “us”
and I stand
corrected of all errors made
under the influence
of the status quo
the normative hetero-
and other biases
on the subject of
how women and men are supposed to live
together
to live creatively
and I shout
I was an artist before we met
before he gave the go-ahead
by commenting on all my pictures
cute!
and I will stay an artist regardless
of how I use (or do not use)
my sex
and I sound
self-righteous and overexposed
to darkness and solitude
but I am not low
because my ego is so high
and I step
off my soap box taller
the tallest in the room
knowing one thing to be true:
for as long as I am here
I will not be where he went.

Effort at Speech Between Two People


: Let us begin with imperatives, where demands are apt to be concrete.
: Be happy. Enjoy your day. Set an intention. Breathe.
: Please, do not reach too far for me.
: Like the sunflower toward its Sun, I bend—
: In through the nose, out through the mouth.
: —counting the steps of your modest music.
: Seven to make a sale, three to climb a ladder, one to hold the moon.
How many points of contact does it take to stir the heart?
: We looked for a spoon, and finding none, gave ourselves permission to sip from the bowl.
: I remember it differently.
: In a land flowing with milk and honey, the Terms & Conditions must be wide and deep.
: From now, love takes the intransitive form.
There are no subject/objects, no Is acting upon yous.
What is important is to love.
: I accept these.
: You will be the writer, and I, the comic relief.
: Become become what is what will become
somewhere somewhat somehow become
some become some be be be!
: Listen : peace-becoming-turmoil-becoming- peace-becoming-turmoil
again and
again, in the same way; Forever.
: The future’s present sounds objectively good.
: Always trust the eyes and not the tongue. Look : [                           ]
: Speak to me. Grow to know me. Take my hand. Know that it’s OK
to fall.
: Let us end with imperatives, where demands are apt to be concrete.

The First

We finger-fucked in Latin class,
and got away with it
by playing make-believe.

You were a concert pianist,
plucking the Bumblebee
in my panties.

I was an airline pilot,
preparing your cockpit
for the ascension.

We wasted our ripest years
playing bride and groom,
feeding off each other’s

Daddy issues, and
sharing everything but
the wet dreams.

You dreamt of MKs and
premeditated revenge
on mustaches, bottlecaps,
and Camel packs.

I dreamt of reading banned
books beneath streetlamps,
and lapping lattes at 9pm.

We thumbed rides off I-89
and hurdled over state lines
to bod-mod joints
in Vermont,
where they’d ink a kid
without permission.

You marked your body
ab imo pectore
in my name.

I marked your words
and hoped to die, survived
by warm-hearted man.

We begged consent of our parents,
and mine named you Hamartia:
the downfall, the bad boy phase.

We begged consent of our parents,
and yours named me Femme Fatale:
the one who plants ideas

of education, insurrection,
and riding two-wheelers
without protection.

lovers are lunatics
who speak with tongues and teeth,
in a language of promises

too big to keep,
in a language of lies
they dare call poetry.

We turned eighteen
with the leaves, and
dropped our love in embers.

You enlisted your body
with one hand, and tied
the other for safekeeping.

I enlisted the help
of my better judgment
to find an exit worth making,

and made it.
ab imo pectore, ego contristo
for leaving you.