Walking in the Rain

On a persistent basis,
it will penetrate
your psychology,
making water come
up from the ground,
down from the sky,
and side to side,
at the same time.

As if shaken,
by an unseen hand,
your eyes will twinkle,
and then fade to coal,
your arms will swing out,
into larger and larger circles,
and then snap, as if twigs.

Hello, snowwoman.
You are hotter
than you are meant to be.

Are you sweating
out a fever
or succumbing
to Spring?

Either way,
take care
to know
you are no more
contained to land.

When a mind becomes
flooded with thoughts
outside the body,
the ground beneath
your feet, themselves,
their wet shoes and socks,
their toes united
in commiseration;
they all fall down.

Once all ice is melted,
and run off to the seas,
take pride
to know
you helped reshape
the continents.

Shorelines
as round as your face,
as square as your elbow,
as it hailed a bus
some million years ago.

Answer “Yes,”
to one or more of the following questions,
and you may be a martyr:

Do you feel overburdened, overwhelmed, and physically exhausted, most of the time?
Do you feel underappreciated for all that you do?
Is your baggage heavier than everyone else?

You may be a martyr
or, otherwise, one
who has had enough
of walking for today,
and needs to collect
her thoughts,
lest she forget
that no one has yet
drowned by sweat
or a walk in the rain.

 

 

Signs

When the pencil skirt fits,
but doesn’t sit
at the hips,
as does the cyclist,
who would rather
be caught dead
than with a bulge,
even if it’s just
an extra bunch
of fabric;
and so she walks,
in measured steps,
passing where
the sidewalk ends,
and then, drops off
into dirt,
until the final block,
where precision goes
to posture,
and so go the toes
– over the lip –
and then,
the heals,
and then,
one palm,
one knee,
and the
stack of crepes
planned to be
for everyone.

When the rice is simmering,
and asks for stirring,
just occasionally,
and so she drops
the wooden spoon,
takes up the sword,
and decides,
right then,
and there,
to prepare
kimchi
for winter,
which is yet
months away,
unlike the hand
on the timer,
which begets
a ten-second
countdown,
“Oh shit,”
and the other
on the blade,
“Oh shit,”
there is
salt
in a wound,
and it is time to move
back to the pot,
with rice searing
to its bottom.

When the appetite,
stirs the night,
she slips
to the cupboard,
looks in,
up, top,
middle,
bottom,
but sees nothing
with nearsighted eyes,
which is why,
her past self
put out
the one-half
cocoa-carob
energy bar,
on the counter,
where apparently
it is heir apparent
for ants play,
because something
tastes like
plus two grams
of protein,
and feels like
soda,
“Fizz,
boom,
pop!”
on her tongue.

When she arrives, at last,
not merely late
but also hungry,
and asking
for further
accommodation,
like a band aid,
a courtesy call,
a chance to sit,
it might be
a sign of immaturity,
or being irresponsible,
or at the end
of a misguided hike,
but more likely,
of the universal struggle,
of learning to live
outside the bubble,
where there
are new types
of pressure,
on the air,
to focus
on marks
in the floor,
to tune out
the sink of dirty dishes,
empty the mind,
and then,
get back to work.

The Muse

Reading her poetry, it stirred me up,
with eye of newt, wing of bat,
and things like that;
and so I stopped.

When I called, there was no motion;
there was no potion, and yet I fell.

Instead, she slipped a note,
and I read what she wrote:

“Reading your poetry, it stirs me up.
Afterward, I can never remember
what to do with my letters.
I connect vowel to consonant,
and then consonant to vowel,
but what comes out —
is no language I recognize.”

That’s just how it was;
it happened just like that.

She came out —
in a collared dress,
with thimbles on her thumbs,
and flushed cheeks
that seemed
to say:

“I know more of
hugging and kissing
than I will ever care
to admit,”

and taught me —
how to color in my lips,
with pencil crayons,
and keep inside
the lines;

how to be
a sometimes red,
and other times deep magenta
kind of girl;

how to come out,
and say:
“I FELL IN LOVE WITH A WOMAN.”

Enacting our poetry, it stirred us up,
with each forgetting that she
was not the other,
and so we stopped.

The Editor

Turn the knob, he said.
Don’t be a stranger.
Come in.
Have a seat.
Allow me
to pull out your chair
to pin up your hair
to —
introduce yourself, I said.
Don’t be pedantic.

Not I, he said.
Haven’t you met a true Romantic?
    I fear thy mien, thy tone, thy motion,
thou needest not fear mine;
innocent is the heart’s devotion,
   with which I worship thine.

May I have a drink?
Just water, he said.
No wine.
On second thought,
you’re fine.
    Here lies one whose name was writ in water. 

In order to catch up,
with the spirit of the times,
I indulged this verbal eroticism,
tracing the vowels
of Shelley and Keats
back onto him.

I veiled my conceit,
in a deep-twin sheet,
and introduced myself
to The Editor.

Heartlines

Published by Atticus Review at http://atticusreview.org/the-trees-issue/

If                                  I should die before I wake, lay me ‘neath

a tree                          where  lichen grows in whiskers, for I

fell in                          love with a stubbled chin that trailed

the forest                   across my collar, up-over my mounds,

and no one was        allowed to cut pink slippers, he said,

around                        here, the Lady is scarce as hen’s teeth

to hear it                     mark your drums with turpentine, but

did it make                 sense to recluse into romance, to build

a sound                      heart for two?