I return to build the wall.
I neither build nor reap.
I sleep not, I rot,
and I build no wall.

Love Letter Manifesta


Starting now, I choose to adapt to a higher standard of living.

Up to this point, my experience as a creature on this fine planet has been a whirligig of emotions, peace-becoming-turmoil-becoming peace-becoming-turmoil. Erratic is a good word, one which I tangentially define as “of or relating to New England weather.” I have never seen a year without four distinct seasons, so the choice of whether or not to adapt–to new colors and patterns on the ground, and in the sky, and the new dispositions that accompany them–is not one that I have practiced making. The person who I am today has been built upon an accumulation of abrupt transitions, she has witnessed (both in herself and others) so many changes in heart that the only outcome that feels safe to assume is impermanence. Last night, you saw me swinging, somewhere behind the eyes. In the weeks following my arrival, the arc of the pendulum within me has shortened, enabling me to feel happiness unchecked; the present moment is objectively good.

I do not need love to stand in for hunger, health or shelter…

Starting now, I choose to adapt to a higher standard of living. I give myself permission to seek out friendships and companionships with other walls, standing strong and tall, who love and respect themselves as much (or more than) me. I give myself permission to ask for what I want. I want someone to share beautiful things with, who challenges my definition of what it means to be extraordinary–or better–someone who refuses to differentiate between the mundane and the extraordinary, who finds purpose in his or her life not through acknowledged status and accomplishments but through anonymous acts of kindness and art making, guerrilla gardening, an authentic drive to die having enriched the planet and the lives of those plants and animals who inhabit it. What I want is a rare breed of person and a nuanced connection that requires more time to marinate than my previous self would have been comfortable with. Fortunately, the present moment is objectively good.

I resolve to show respect to those people and items that nourish my body.

I do not need love to stand in for hunger, health or shelter, for friends, family or therapy, these “basic needs” are, at long last, met, and I find myself in the position to want again. The easy, expectationless process that we have chosen to unravel each other is something that I have wanted for a long time, yet I’m not sure if it was a conscious decision for me. By some intuition, I continue to treat our interactions as little bites of a pie, the size and flavor of which remain to be determined, chewing each at least fifty times. Though both food and company are easily accessible to me, I resolve to show respect to those people and items that nourish my body, my soul, my heart.  Our day together was an anomaly in the scheme of my year and week and life, inviting me to experience the full range of good emotions–attraction seasoned with camaraderie and shameless festering–without imminent pain on the horizon. My intention: one good day at a time.


These past months of bashful salutations and stolen eye contact have transported me to a place of cognitive dissonance. After overreaching, and not being met halfway, the natural response should be to feel alienated from you–but, instead, I have noticed our connection deepen in density and thickness; new pathways have emerged to bridge the silence, while the old have been tread into permanence. All beings emit noise, above and beyond the sound of the breath, it’s that buzz-and-whir of the reel (some call it the brain, I’m sure) turning over, and over again, in the same way; forever. I did not tune my dial in search of your frequency; on the contrary, I tried to give up guessing at your thoughts, but every space you enter swells–made grander by your modest music, a trio of flute, panpipes and the whisper-whistle of the wind through a willow tree. When you are far, the air is too quiet; close, too loud
                                     

but the third bowl of porridge was just right
.
.
.
I love you


The landscape of my desire is all wilderness; there are at least 5,000 acres imagined for solitude.

We are both thankful for a thrift store being open on Sunday, as our hunger for Capezio T-straps with Teletone taps (me) and a poorly rendered portrait of Cesar Chavez (you), had it been otherwise, would still lay dormant. We are both in agreement that the capacity to want a thing immediately–without history, or context, or even a middle name, should be preserved, but disagree on the question of how to use it. The landscape of my desire is all wilderness; there are at least 5,000 acres imagined for solitude, and all other primitive and unconfined forms of recreation. I do not care to scale every inch, to build trails that loop back or lunge forward. I do not care to know why it feels sexy to ride bicycles wearing jazz shoes, or if it makes good sense to love you, I just do.


pheromones

  • burnt sage
  • brown bananas
  • dance sweat
  • used bookstore
  • masa harina
  • castille soap
  • brackish water
  • bruised lavender
  • the month of June
  • wet socks
  • sidewalk chalk
  • secondhand shirts
  •  supermarket pastries
  • sun-dried blacktop
  • hot coffee
  • cold crepes

Effort at Speech Between Two People


: Let us begin with imperatives, where demands are apt to be concrete.
: Be happy. Enjoy your day. Set an intention. Breathe.
: Please, do not reach too far for me.
: Like the sunflower toward its Sun, I bend—
: In through the nose, out through the mouth.
: —counting the steps of your modest music.
: Seven to make a sale, three to climb a ladder, one to hold the moon.
How many points of contact does it take to stir the heart?
: We looked for a spoon, and finding none, gave ourselves permission to sip from the bowl.
: I remember it differently.
: In a land flowing with milk and honey, the Terms & Conditions must be wide and deep.
: From now, love takes the intransitive form.
There are no subject/objects, no Is acting upon yous.
What is important is to love.
: I accept these.
: You will be the writer, and I, the comic relief.
: Become become what is what will become
somewhere somewhat somehow become
some become some be be be!
: Listen : peace-becoming-turmoil-becoming- peace-becoming-turmoil
again and
again, in the same way; Forever.
: The future’s present sounds objectively good.
: Always trust the eyes and not the tongue. Look : [                           ]
: Speak to me. Grow to know me. Take my hand. Know that it’s OK
to fall.
: Let us end with imperatives, where demands are apt to be concrete.

The Collective Unconscious

A murmuration of starlings
A clump of reeds
A shrubbery of shrubs
A forest of trees

A cord of wood
A ream of paper
A box of tissue
A warehouse of boxes

A cache of jewels
A coterie of orchids
A chain of pearls
A rouleau of coins

A talent of gamblers
A syndicate of capitalists
A band of men
A fellowship of yeomen

A herd of cattle
An equanimity of tranquilizers
A clutch of breasts
A clot of cream

A culture of bacteria
A coagula of curds
A drum of cheese
A bit of string

A dossier of documents
A congregation of crocodiles
A colony of rats
A party of jays

A cluster of fucks
A sack of shits
An army of gluts
A panel of twits

Song of My Selfie

In 2013, “selfie” was named the Oxford Dictionaries’ Word of the Year. It is an informal noun (plural: selfies) defined as “a photograph that one has taken of oneself, typically one taken with a smartphone or webcam and uploaded to a social media website.”

I.   I monitor myself, and sing myself,
and compose the truth you shall assume,
for an arched brow only means as much as it signifies to you.

I choose to discard my soul.
I cut ‘cross puckerbrush, and plant dandies
among the summer grass.

My teeth, every incisor in my mouth, chatter in the open air.
Born with a  jack-o’-lantern grin, of parents who loved me all the same,
I, now thirty-seven paces tread into solitude, begin,
hoping to survive shutter-death.

Creeds and schools in abeyance,
retiring reliance on cultural scripts, undocumented, but never
forgotten–I capture myself, for good or bad.
I permit the image to speak every hazard nature has imbued
and, in its irregularities, reap energy.

II.  The house is deserted as a chestnut, rotted from inside out.
With perfumes, I concoct the fragrance of myself, and like it.
The vanity would noose me by the nose, but I shall not let it.

The phthalates are not necessary; they are dangerous and disruptive,
odorless, and potentially toxic, but I am in love with the bouquet.
I will haunt the powder room, doused in chemicals and naked,
smelling of red dye, unpicked.

The stress in my bated breath echoes and swarms,
in buzz’d whispers, a scandal creeps the vine.

My active mind puts me at the party, sniffing on green leaves,
punching air into my lungs, sucking off cherries, and swallowing their pits
for kicks. The sound, O, the siren sound, of my chalky heels striking
the cellar floor, eager for a few light kisses, a few embraces,
an offering of arms.

In dreams, I play synesthetic: mouth open, tongue wagging in delight,
imbibing each balsamic beat, spit-shadows trailing my hill-sides.
The feeling of  weak acid cleansing the body, from inside out,
imitates health, and encourages me to rise.
At the trill of full-noon, I will rise to meet someone.

III.  I have seen how the gawkers are gawking,
with mock compassion, at my reaches and bends.
But I refuse the hands they offer to lend.

There was never any more protection than there is now.
Nor any more depravity than there is now.
And will never be more fornication on cable than there is now.
Nor any more hoots and hollers than there are now.

Urge and urge and urge.
Always the procreant urge of the world.
By God’s word, go forth and multiply.

I have heard how the doctors are doctoring,
the doc-talk of the baster and the twine.
But I refuse to be dressed for their holiday tables,
my cavity a mere incubator of precious stuff.

Sure as the most certain sure, the experts are plumb
in the uprights, well-entretied, braced in the beams.
A thousand acres sown with x chromosomes,
logic assumes I improve my sex–they promise.

My offspring will possess a ubiquity of things,
white towels swelling the house, crystal vah-zes
breeding dust mites in the den.

My offspring will be stout as a horse, affectionate,
haughty, electrical, with a soul so clear and sweet,
neither an inch nor a particle reminiscent of me.
By the word of Science, she will be progress.

IV. Menarche, the first horror, the beginning
of conjugal war, of feverish loins, of pit stains.

Pornographers surround me, people I meet,
around town, on the train, in public restrooms,
at the office, behind the house, or ward, I live in.

Their scopophilic gaze compounds me,
I am oddball, wastewater, womankind, nothing
fit for the respect of some boy, or sage, I love.

The thickness of one lip more than the other,
engorged like a grub, renders me complicit,
an actor in the defamation of myself.

A part in the hair, or breasts, I am splitting.
Apart from my cherry, I am broke.
She is my idol, my amour propre, my unitary self.

The serpents look down, are erect, or bent, at rest,
arrested, looking with side-curved heads, curious,
what will come next, tongues darting in and out,
enraptured by the game of watching and wondering.

Backward I trace in my steps where I erred,
but I find no such incrimination.
I have made no mockings or arguments,
I have witnessed and waited.